Compression Purity City Lights Spotlight

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Does your face shine with the glory of God? Have you got such a faith in God that strangers who need answers to their needs come to you? Are you spreading the light and purity of God in your walk before men? Are you a city set on a hill so that for miles and miles humans may see you shining bright?

OUR TEXT

Matthew 5:14 (New King James Version) – 14 “You are the light of the world. A city that is set on a hill cannot be hidden.

Imagine that you were walking and walking for say fifty or a hundred miles on the promise that there is a town that is going to be up in front where persons will give you a meal and a bed and numerous love. Imagine you come through a deep valley and of a sudden you see a a bright light on the top of the next big rise. As you get closer to it, it is shining more brilliant and your at last get real happy as soon you will have something to drink for your parched throat, and a good deal of feed to fill your stomach as you have not eaten for three days, and a bed out of the cold to sleep in.

How great would be your sorrow then, when you arrive, no one in the city wants to feed you a nice meal, and no one wants to give you a drink and no person wants to give you a bed and the person who told you with regards to this city was faulty with regards to it?

Do you recognise that the poor homeless live that scenario a few hundred times a night. They don’t ask each single person that passes them for money, they only ask humans that look to them might have a compassionate heart. And do you recognise what most Christians do that I know of when they are asked? They say “no, I have no spare change.”

Let me share a mystery with you. The closer you are to Christ in your relationship, the more your face shines and a homeless person may come into a restaurant with a hundred humans and only ask one person and that person be you?

Do you recognise I may watch a person standing 100 feet in front of me and person after person go past them, and yet when I go to pass, they ask me for directions? Do you know that, they pick me as I some how seem to look to them as a person that would be helpful and who would recognise the answer.

Jesus said that we are all to shine with his light. Our Christian faith ought to be so apparent to humans that are not saved through the way we deal with people, and through our works of mercy and love, that we are like that city on a hill that may been seen from a heap of miles away.

The way to actually shine folks, is to obey the teachings of Jesus. Jesus didn’t just come to die on a cross for us, he came to show us what we need to do if we are to be righteous Christians. He spelled a lot of it out in this sermon on the mount that we are going through.

Not giving to poor humans who ask you for cash is disobeying Jesus. We will get to that command later in this series, but suffice to say here is the fact that the reason why you get asked a lot for cash is that they see your face shining and think you are a kind person. But a doctrine of man says that we ought to not give a drinker or heroin addict cash as we might kill them. We have formulated our own reason not to give, but our reason makes us disobey Jesus.

The way to become a great light of the world is found in denying yourself, taking up your cross and obeying Jesus in all he taught we must do. We are to do all the things he taught us to do, and we are not to do all the things that he said we ought to not do.

When you live the sermon on the mount, you genuinely are a great light in the world, and you will be the only one a poor person picks out of a hundred when he only needs two more dollars.

If you chose to live a radical sold out life for Jesus and commence to obey the teachings and commands Jesus had, then people will mock you and revile you and persecute you for the righteousness in your life. People who have been taught doctrines of men and doctrines of demons in the church will always rise up versus you.



Most helpful customer reviews

1 of 1 people found the following review helpful.
5Nerve & Thistles from Will Alexander
By S. Foster
Compression & Purity extends Will Alexander’s compelling vital projects. I saw Will read from this book, with the tremendous poet Cedar Sigo, at City Lights Bookstore a week ago. Beautiful breezy afternoon with an old Chinese gent hanging his laundry off the fire escape across the way in Jack Kerouac alley through the upstairs windows of the bookstore, standing room only. Cedar’s mom came for the reading. I had a good seat as I got there forty five minutes early.

In “On Scorpions and Swallows” Will delivers the maximum present moment:

I go blank
& seize vertigo
& gain a forthright diplopia

so when I look skyward
a doubled swallow seems to swarm
in a flock of endurance

and in “The Deluge in Formation,” birds continue driving forward Gertrude Stein’s continuous present:

I am speaking of chastisement
or cross-referential super-imposition

within this condition
I am more like a crow from crucial underwater fires
a crucial underwater crow

neither Chinese nor Shinto
but of the black dimensionality as hidden underwater mass

—and in this poem the Blood Penguin of an earlier poem shifts through totemic corvids:

which persists by daring
which seems at the surface
a purposeless kinetic
or a pointless Mandrill’s infection

saying such
I consider myself a reddish Shinto crow
then just as strongly
a black anathema crow

—so the poet transmutes time into figures, nerve and thistles rebraided into frayed cordage, knotted language like the Andean quipu taut between verbal present and living presence. In tensile lines that are his most direct ever, fraught with somatic pungency, graced with seemingly (and very wonderful) “purposeless kinetic” jolt, the poet folds Sun Ra into Garcia Lorca, Bob Kaufman into Cesar Vallejo:

I am speaking here of your disrupted seasons
speaking with Lorca in in nomadic transpicuity
with Artaud in fleeting glimpses
your life obscured by aesthetic linkages
by broken luck & betrayal

I am listening to the salt inside your hunger…

(“Combustion & Leakage: for Cesar Vallejo”)

—in an age old orality extending through Shakespeare’s sonnets to e. e. cummings and beyond the present, the poet pronounces numnerous poem’s intents and purposes in the figures of his lines, reflexively purposing his “content’s dream.” In this delivery Will Alexander bodies forth his poetics whole, elegantly edged and fully at our service:

they can’t see my approach
my wayward dorsal looming
my lettering in black drizzle

it is my approach
my weaving
my sigil as curved embankment

therefore
I can never name myself
or plot myself
according to the sparks or splinters from the work bench…

…I am considered
as pointless positron without image
as hieroglyph
as sundial
as martyr

being leakage from a barbarous index province

(“Coping Prana”)

The short poems are striking, and the longer sequences replete with moving, wild compressions:

the horizon being mist
& lines of summa
& blank imaginary braille

(“Horizon as Parallel and Sonar”)

Compression & Purity is wholly Will Alexander’s gift, nerve steel thistle violet.

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Compression Purity City Lights Spotlight

The fifth volume of our Spotlight poetry series, Compression & Purity is a new collection of poetry by Los Angeles–based African American surrealist Will Alexander. Known for densely textured visionary epics influenced by poets like Aimé Césaire and César Vallejo, Alexander here returns to shorter forms to address his ecological, cosmological, and historical concerns. Highlights include a monologue from the perspective of “The Blood Penguin,” a song by the “New Water on Mars,” and Alexander’s autobiographical lyric essay, “My Interior Vita,” describing the evolution of his artistic consciousness through jazz and surrealism. Compression & Purity confirms Alexander’s reputation amid surrealism’s foremost contemporary practitioners.

Review


“Born in South Central Los Angeles, and a lifelong resident of Los Angeles, Alexander, who got his begin publishing in Clayton Eshleman’s groundbreaking diary Sulfur in 1981, is vastly under-appreciated–an indispensable avant-garde poet, who deserves a wider audience.” — Huffington Post

Compression & Purity works well as an introduction to Alexander’s black surrealist oeuvre while still engaging and challenging his longtime readers. Though in an emotional manner cold and detached, the poems more than make up for it with a authenti love of language and it is power to effect change.” —The San Francisco Bay Guardian

“This new volume from the L.A.-based African American poetical includes an autobiographical, lyrical essay in regards to how jazz and surrealism affected the evolution of his artistic sensibility.” — Los Angeles Magazine

“Will Alexander is a poetical and poetic-critical interpreter of the world with a unambiguously compelling voice, which has ultimately gained him the kind of acknowledgement he deserves. . . . For those who recognise his works and those who don’t, his clarities and opacities, with their internal rhythmic charge, will invoke a dynamic that figures, as the constellations once did, the myriad connections that tie us to our humane and natural universe; the one interpenetrating the other without cease.” — Allan Graubard, Leonardo

“Alexander’s ease and willingness to talk about occasions beyond our normal every day experiences stimulates the imagination with the warmth of ecstatic re-envisioning. This is writing that opens up new worlds, crisp and direct in it is supplying of distinctive and priceless gifts.” – Rain Taxi


Compression Purity City Lights Spotlight

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Compression Purity City Lights Spotlight

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Compression Purity City Lights Spotlight

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Compression Purity City Lights Spotlight

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Compression Purity City Lights Spotlight

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